Tag Archives: The Avengers

Come and Get Your ‘Guardians’ Love

Guardians of the Galaxy
Three and a half stars (out of four)
PG-13 (intense sequences of sci-fi violence and action, some language)
121 minutes

Everybody loves The Avengers, but let’s face it. When it comes to personality, the members of Marvel’s prize superhero team are kind of square. Patriots, Asgardian princes and scientists with anger issues are only so interesting. Even the wise-cracking Tony Stark is a bazillionaire and a genius. Not very easy to relate to.

Maybe that’s why the ensemble of sorry wretches at the heart of “Guardians of the Galaxy” is so appealing. It’s made up of outlaws and losers, like Drax the Destroyer (played by wrestler Dave Bautista), an elaborately tattooed muscleman who is out for vengeance and takes everything extremely literally. Naturally, this is the source of much hilarity.

Then there’s Gamora (Zoe Saldana in butt-kicking mode), a green-skinned mercenary with daddy issues. After all, she’s the adopted daughter of Thanos, the wrinkly, purple baddie first glimpsed in the end credits of “The Avengers.”

Even weirder are Rocket, a resourceful, genetically-modified talking raccoon with a temper (his feisty voice is supplied by Bradley Cooper), and his best pal, Groot (Vin Diesel), a self-regenerating tree — just go with it –- who is surprisingly clever but boasts a limited vocabulary.

The merry ringmaster of this improbably lovable menagerie is Peter Quill, who also goes by the cocky alias “Star-Lord.” In an immensely winning performance, Chris Pratt plays Quill as a roguishly charming space pilot in the mold of Harrison Ford’s swaggering, self-obsessed Han Solo. Truly, a star is born.

To say that “Guardians” director James Gunn was influenced by the early work of George Lucas and Steven Spielberg is an understatement. Adapted from one of Marvel’s more obscure properties, the movie is a rollicking sci-fi-fantasy space opera with a rascally, retro vibe that recalls the original Indiana Jones and Star Wars flicks.

The film’s opening scene, in which Quill parts a valuable relic from its temple pedestal on the planet Morag, is pure “Raiders of the Lost Ark,” goosed to the groove of Redbone’s “Come and Get Your Love.”  A sequence set in a mining colony faintly echoes that wretched hive of scum and villainy, the Mos Eisley Cantina. There are thrilling space battles galore, and Rocket and Groot are basically C-3PO and R2-D2 with more attitude.

With its population of extraterrestrials in a rainbow of skin tones and its intergalactic fashions — that’s some wig, Glenn Close! — “Guardians” also calls to mind “Star Trek” … on crack … as Gunn pokes into the freakiest corners of the Marvel Universe. But the film never feels derivative and it’s a ton of fun.

Based on the comic book series by Dan Abnett and Andy Lanning, the movie begins on a somber note with the death of young Star-Lord’s mother. That formative chapter in Peter Quill’s life is followed by another major event, the arrival of a spacecraft sent by his long absent father to retrieve his son from Earth.

Cut to the grown Quill, who is now quite comfortable living in outerspace. To his chagrin, his Star-Lord alias is met with disdain by most residents of the galaxy, thanks to his reputation as a rather smug smuggler who frequently runs afoul of the law.

Quill is after his latest score — a coveted silver orb — when he literally collides with Gamora, who has been sent to retrieve the object for Thanos’ ally, Ronan (Lee Pace).

Ronan is the genocidal leader of warrior race the Kree and he’s also the movie’s weakest link. Pace, who was so adorable on “Pushing Daisies” but now specializes in playing menacing fantasy monarchs (see his elf king, Thranduil, in “The Hobbit” trilogy), doesn’t do a whole lot besides make cartoonishly dire pronouncements in a very deep voice. He also glowers at equally blue hench-lady Nebula. (Yes, Doctor Who fans, that is Karen Gillan, aka Amy Pond, under all that makeup.)

Ronan is after the same thing every Marvel villain seems to be after. I don’t think it’s a huge spoiler to reveal that it’s an infinity stone. I know these glowing MacGuffins are one of the things that unify all the films in the franchise, but am I the only one who’s getting sick of them?

Back to the plot: While Gamora is after Quill in order to collect the orb, Rocket and Groot are after him as well, hoping to collect the bounty on his head. In the process, the whole posse winds up in prison, where they are joined by Drax and work together to mastermind one of the most entertaining jailbreaks in recent cinematic memory. Normally, these guys are out for themselves, but when they realize what will happen to their galaxy if Ronan gets his hands on the orb, they make an uneasy pact to save the place they call home.

After cutting his teeth on dark comic book satire “Super” and low-budget horror flick “Slither,” Gunn penned the “Guardians” script with Nicole Perlman, who is rumored to be toiling on a Black Widow spin-off for Marvel. (That could bode very, very well.)

Gunn and Perlman’s “Guardians” screenplay is hilarious and kinda sweet and just when it starts to get too cheesy, the director pulls it back from the brink with the perfect dose of snark and playful visual effects that put the considerable skills of the film’s VFX crew on eye-popping display.

The movie’s best device is a nostalgic one. Because Quill is from Earth, he’s constantly making references that baffle his alien buddies but connect with the audience, especially anyone who fondly remembers Troll dolls, the Walkman and Kevin Bacon in “Footloose.”

The film’s tone is dictated largely by its inspired soundtrack, built around Quill’s beloved Awesome Mix Tape of ’70s and ’80s pop.

Just be prepared. You will never, ever get “Hooked on a Feeling” out of your head again. It’s the new “Let It Go.

My Tortured Love Affair With Comic-Con

Dear San Diego Comic-Con,

We’ve had our good times, you and I, but over the last few years, we’ve had our differences too.

I’m not the bright-eyed, energetic pop culture junkie I once was. I’m older. I have a kid. I have responsibilities. I can’t be bothered with noise and crowds and inconvenience. I still consider myself a die-hard nerd, but you probably won’t catch me standing outside movie theaters at midnight with my lightsaber or Harry Potter wand anymore. I no longer have the stamina to part a sea of hygienically challenged fanboys, poster tubes strapped to their shoulders like samurai swords, backpacks full of munchies and Monster Energy Drinks.

I’m not the only one who has changed. You used to be this cool thing that only certain people knew about. Then suddenly, you were popular. You started off as a small gathering of comic book collectors in a hotel ballroom. Now you’re a juggernaut, sprawling all over the San Diego Convention Center and beyond.

Every media outlet, from Entertainment Weekly to the 5 o’clock news, is compelled to cover you. Your latest installment, kicking off tonight, is expected to attract a horde of at least 130,000. Attending used to be a relatively simple affair, as long as one was on the ball and made one’s plans early. It now requires an exhausting scramble for tickets and exorbitantly priced hotel rooms.

So several years ago, after much agonizing, I quit you, Comic-Con. But I have a confession to make.

I still miss you.

I miss ducking out of work early and rolling into San Diego on Preview Night just in time for badge pick-up. We’d check into our over-priced hotel and stuff our faces with Extraordinary Desserts while marking up the official Comic-Con schedule, formulating our strategy for the long weekend ahead.

After a night of terrible sleep, we’d rise early, tug on our nerdiest T-shirts, and hike the mile to the Convention Center. If we were in a hurry, we’d splurge on a cab so we could join the queue to gain admittance to that wondrous place known as Hall H, the cavernous room where early-bird movie buffs catch a glimpse of Hollywood’s most anticipated future flicks. We were lucky if we got to sit in the very back of the room, where giant video monitors saved us from squinting blearily at the celebrities on stage, whose heads appeared no bigger than pins.

Sure, there was the year we had to sit through the “Twilight” panel and listen to thousands of “Twilight” moms shriek over Robert Pattinson and Taylor Lautner. There was the time the hall went on lock-down after a guy in a Harry Potter T-shirt stabbed another guy in the eye with a pencil. And there was always that one slobbering idiot just waiting to ask Scarlett Johansson an incredibly inappropriate question during the Q-and-A session.

Still, I must admit I miss Hall H. I miss sitting in that massive room from sun-up to sundown, listening to actors and writers and directors talk about their upcoming movies and watching sneak previews, new trailers and footage fresh from the set. Somehow, it didn’t matter that it was going to be up on the Internet by the next day. We didn’t mind subsisting on hot dogs and cardboard cheese pizza or the delirium that kicked in about the fourth hour spent in that windowless prison. There was something electric about being there, about being one of the first people to witness it all.

That time the entire cast of “The Avengers” took the stage was pretty awesome. So was the time Harrison Ford showed up to promote “Cowboys & Aliens” and was absolutely flummoxed by the standing ovation he received. Anything moderated by Patton Oswalt or featuring Guillermo del Toro and his favorite word — it begins with an “F” — is always a good time. Impeccably dressed in a natty suit, Robert Downey Jr. is … well … he’s just the man.

Heck, I even miss standing in that endless, serpentine line for Hall H, which resembles something out of “The Hunger Games.” In that mass of humanity, you are guaranteed to meet a stranger who shares whatever interest floats your geeky boat, whether it be Harry Potter, “Doctor Who,” “Transformers,” “The Goonies,” “Star Trek,” “Firefly,” or some obscure anime series. Communing with like-minded nerds is a huge part of your sloppy charm, Comic-Con.

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Let’s not forget the cosplayers, a brave and astonishing species unto themselves, living out their private fantasies in public in a shameless parade of elaborate finery. Here’s to you, glow-in-the-dark “Tron” pajama guy, chubby Batman, baby Thor, and Slave Leia, bold enough to don the sacred gold bikini. Here’s to you, amateur Tony Stark, builder of the most awesome, fully functional Iron Man suit ever. Here’s to you, Stormtroopers, always kind enough to pose for a picture, and tiny Jawas with light-up eyes, and that dude dressed like Luke in the Dagobah training sequence, a baby strapped to his back, clad in a Yoda costume. You rock.

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As if that wasn’t enough, there is the exhibit hall floor, a veritable wonderland of geek culture, where fans jostle each other shoulder to shoulder in search of that elusive collectible or a must-have surprise — a T-shirt, an action figure, a bumper sticker, a handmade Harry Potter scarf, an indie comic book, a signed poster.

At Comic-Con, there are wonders waiting around every corner. You might happen upon Stan Lee in the hallway or the entire cast of “Star Trek: The Next Generation” — sans Patrick Stewart, of course.

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I think what I remember most fondly about you, Comic-Con, is dragging myself through the Gaslamp Quarter at dusk in search of a watering hole where my friends and I could rehash the amazing events of our day, swapping stories and laughing over newly forged inside jokes. We’d head back to the hotel, dump the contents of our complimentary Comic-Con bags out on the bed and sort through our swag. Most of it would inevitably end up in the trash, but at the time it seemed like the most precious of treasures.

Then we’d settle down for another night of terrible sleep so we could wake up and do it all again the next day. It was the best.

I think that says it all, dear Comic-Con. Maybe one day I’ll return to you. I hope you miss me, too, just a little bit.

Affectionately yours,

Lavender

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Lavender Vroman and Kristy Rivas at the 2010 San Diego Comic-Con.